DSpace コレクション: 2020-12
http://hdl.handle.net/10928/1329
2020-122024-03-28T17:16:05Z東アジア冷戦と植民地主義批判 : 日本朝鮮研究所の日朝友好運動論をめぐる対立を中心に
http://hdl.handle.net/10928/1348
タイトル: 東アジア冷戦と植民地主義批判 : 日本朝鮮研究所の日朝友好運動論をめぐる対立を中心に
著者: 韓, 昇憙
抄録: This paper focuses on a latent ideological conflict over the evaluation of Japanese colonialism between The Japanese Institute of Korean Studies and Japanese Communist Party, which occurred from the ratification of Treaty on Basic Relations between Japan and the Republic of Korea and the expansion of Vietnam War. This is a good illustration of the difficulty that the Japanese attempting to criticize colonialism during the Cold War in East Asia had to face. Japanese Communist Party, which gave top priority to the opposition to Vietnam War, severely criticized Goro Terao’s theory of the Japan-Korea Friendship Movement and claimed that he persisted in the history of Japan’s invasion of Asia and ignored the ferocity of the current American imperialism. However, Terao’s assertion that there could be no Japan-North Korea friendship movement without criticism of colonialism became more and more persuasive because the Japanese government oppressed ethnic education soon after the ratification of the Treaty on Basic Relations between Japan and the Republic of Korea. In the end, Terao was expelled from the Japanese Communist Party and left The Japanese Institute of Korean Studies, which was supported by the branch members of the Japan-Korea Society and the teachers of the Japan Teachers’ Union, who were actively involved in the movement to protect national education.2020-11-30T15:00:00Z子ども観の社会史的考察に関する基礎研究 : 日中子ども観の比較考察に向けてのアプローチ
http://hdl.handle.net/10928/1343
タイトル: 子ども観の社会史的考察に関する基礎研究 : 日中子ども観の比較考察に向けてのアプローチ
著者: 湯山, トミ子
抄録: The social history study the view of children, which was born in Western Europe and has been developed mainly in Western Europe, is currently developing toward research from a global perspective. However, many Asian studies are conducted by country, and linguistic barriers are added, and the results are not fully reflected in global studies. This paper attempts a comparative study between Japan and China using painting materials, based on the issues of social history study of the view of children in Asia, which is required to develop from country to area studies and world studies. In the discussion, I based on China, which has a great influence on the formation of the view of children in East Asia and is advancing the arrangement of painting materials, and placed Japan, which has achieved its own development under the influence of China. This paper is a preliminary study that explores analytical perspectives for conducting comparative studies between Japan and China. In the future, if this can be developed into full-scale research and further expanded to comparative research that includes South Korea and Vietnam, it will become the basis of study the view of children in the Confucian cultural sphere, which is important for the formation of study of the view of children in the Asian region. I hope that this paper will be a step toward the development of social history study of the view of children in the Asian region, which requires global progress.2020-11-30T15:00:00ZSalt and Scud : The Rhetoric of the Sea in Robert Louis Stevenson's Works
http://hdl.handle.net/10928/1344
タイトル: Salt and Scud : The Rhetoric of the Sea in Robert Louis Stevenson's Works
著者: Morishige, Masao
抄録: Robert Louis Stevenson, who is well known for Treasure Island (1883) and Strange Case of Dr Jekyll and Mr Hyde (1886), was born in a family engaged in lighthouse engineering for generations. Under the influence of his family business, the sea had been familiar to the Scottish writer since his childhood although he did not succeed it. For this reason, it is no wonder that he should foreground the sea as the main setting in some of his works. However, Stevenson’s representation of the sea can never be limited to direct descriptions of it. In fact, Treasure Island, which includes the scene of sailing on the sea, also indicates the geographical and metaphorical intrusion of the sea into the land by using the word “salt”. In addition, focusing on his rhetoric uncovers the fact that even his fiction without the sea as a setting is interspersed with elements of the sea. As an instance, Jekyll and Hyde is a metropolitan-Gothic novella which is set in the late-nineteenth-century London, but there are actually found in the text several expressions associated with the sea such as “salt” and “scud”. Furthermore, two key imageries—dry and wet—play pivotal roles in the text especially in terms of characterisation and descriptions of fog. Therefore, analysing these expressions will not only lead to a better understanding of the novella but also enable us to interpret it as an ocean-Gothic. Finally, turning out eyes toward The Wrecker (1892), one of his later Pacific fiction and a collaboration work with his stepson Lloyd Osbourne, we can confirm that the three works share in the same kind of rhetoric and also clarify how obsessive Stevenson had been about the sea for a long time in writing as well as real life.2020-11-30T15:00:00ZThe Ocean Libidinized : Yukio Mishima and the Cold War
http://hdl.handle.net/10928/1345
タイトル: The Ocean Libidinized : Yukio Mishima and the Cold War
著者: Endo, Fuhito
抄録: The titles of the major works of novelist Yukio Mishima clearly illustrate his preoccupation with sea imageries, while his language urges us to examine them psychoanalytically. In other words, these images function as an aesthetic and psychic screen onto which his radically divided subjectivity is projected. Mishima’s divided self is a product of logical complication and semantic opacity worthy of psychoanalytic interpretation. The images in Mishima’s work are evidence of his divided mindset, in limbo between denial and acceptance of post-war Japan, and the historical consequence of Japan’s complete military defeat in WWII. In terms of Freudian psychoanalysis, his conflicting thoughts can be viewed as the simultaneous acceptance and denial of Japan’s castration, which, as Freud famously argues, is the psychic structure of fetishism. Taking this perspective, we can regard his fascination with the post-war ‘Symbolic Emperor’ as Mishima the fetishist’s fascination with the ‘sublime object’ of his phantasy. The political and cultural icon of the ‘Symbolic Emperor’ enables him to deny and accept the historical fact of Japan’s unconditional surrender to America as a psychical compromise. A set of sea imageries in Mishima’s works also contribute to this kind of psychoanalytic compromise, as they are sublimated and libidinized in a similar way while manifesting themselves as allegorical references to the Cold War. In this context, his ‘sublime’ serves as a metaphor for ‘nuclear weapon’—the absent and lethal cause of the Cold War. It is the ontological absence of a ‘nuclear weapon’ that brings about the Cold War. Once this absence is cancelled, the semantic and actual system of the Cold War disappears instantaneously. Yet, the existence of nuclear weapons is also the ontological assumption of the Cold War. This structural dilemma—the simultaneous existence of semantic and ontological maximum and zero degrees—is precisely the same double-bind plight in which we find Mishima’s representation of the ‘sublime’. This simultaneity can also be seen in Mishima’s representational omnipotence and impotence, or the acceptance and denial of castration.2020-11-30T15:00:00Z